Jeremy D. Goodwin | St. Louis Public Radio

Jeremy D. Goodwin

Arts & Culture Reporter

Jeremy D. Goodwin joined St. Louis Public Radio in spring of 2018 as a reporter covering arts & culture and co-host of the Cut & Paste podcast. He came to us from Boston and the Berkshires of western Massachusetts, where he covered the same beat as a full-time freelancer, contributing to The Boston Globe, WBUR 90.9 FM, The New York Times and NPR, plus lots of places that you probably haven’t heard of.

 

He’s also worked in publicity for the theater troupe Shakespeare & Company and Berkshire Museum. For a decade he joined some fellow Phish fans on the board of The Mockingbird Foundation, a charity that has raised over $1.5 million for music education causes and collectively written three books about the band. He’s also written an as-yet-unpublished novel about the physical power of language, haunted open mic nights with his experimental poetry and written and performed a comedic one-man-show that’s essentially a historical lecture about an event that never happened. He makes it a habit to take a major road trip of National Parks every couple of years.

 

Ways to Connect

Felicia Shaw, new executive director of St. Louis' Regional Arts Commission, said she had a sense that this community would now "be open to change" after the events of Ferguson.
Nancy Fowler | St. Louis Public Radio

The Regional Arts Commission envisions a more ambitious agenda for the St. Louis area’s cultural community. In a plan released late last week, the grant-making organization set out a series of priorities for the immediate future of the region’s arts scene.

Among the plan’s recommendations is that arts groups work with local organizations to help solve community problems. Arts groups can play a role with efforts to build affordable housing, improve public safety and other civic initiatives, RAC executive director Felicia Shaw said.

The Avett Brothers at LouFest 2015
File photo | Jess Luther | St. Louis Public Radio

When the organizers of LouFest canceled the event, the news came as a shock to many, though signs of the festival’s distress had been apparent. The festival’s promoter, Listen Live Entertainment, insisted that everything was fine until the moment it pulled the plug.

The announcement identified several causes including the loss of key sponsors, debt and expected rain. Organizers insisted the festival had been on target “until a bit of unfortunately timed media coverage caused many of our vendors and artists to demand up-front payment.”

In 2015, LouFest brought a record 50,000 people to Forest Park. 2018 will be a different story.
Jess Luther | St. Louis Public Radio

Updated Sept. 5 at 5:30 p.m. — Music fans, vendors and service providers startled by the cancellation of this weekend’s LouFest in Forest Park are shifting from disappointment to worry as they try to figure out how to recoup the cost of tickets, fees and other expenses.

Festival organizers early Wednesday called off the ninth annual event, three days before it was set to begin. Last year the two-day festival was at full capacity, drawing 32,000 fans each day.

Brit Daniels of Spoon played at LouFest. Sept. 9, 2017
File Photo | Eli Chen | St. Louis Public Radio

Update: Sept. 5, 3 a.m. — LouFest 2018 is cancelled. Organizers officially cancelled the festival early Wednesday morning in a letter citing money troubles and a rainy forecast. Listen Live Entertainment says the ticketing company Front Gate Tickets will be responsible for refunds “while we work to repay our debts.” Visit our website for more coverage as we continue to cover this breaking story.  

Original Story - A week before the annual LouFest music festival in Forest Park, some contractors who were booked to provide essential services have begun pulling out.

Some local firms scheduled to handle stage lighting, sound and additional musical instruments have informed the event’s producer, Listen Live Entertainment, that they will not participate. The firm scheduled to remove trash said it will not be available if it does not receive an overdue deposit. Some cite persistently delayed payments from the promoter.

Jen Kerner plays a Bird Girl in Christ Memorial's 2016 production of Seussical.
Cindy Tiefenbrunn

St. Louis actor Jen Kerner has played dozens of characters, but in recent years she’s taken on a new role: making the theater experience enjoyable for people who are overwhelmed by loud sounds and bright lights that are part of the typical theatrical experience.

Kerner works in job placement for people with developmental disabilities who often have sensory issues. Four years ago, she began to pay more attention to her own sensitivities during rehearsals for “The Music Man," in which the orchestra seemed noisy and abrasive. Shortly thereafter, a doctor diagnosed her with autism.

John Harrington has led local hip-hop group Midwest Avengers for 25 years, in addition to being a longtime organizer of annual graffiti festival Paint Louis. 8/29/18
Courtesy Midwest Avengers

A new St. Louis hip-hop festival will go beyond the music and celebrate the culture that surrounds it, including art, film and dance.

The four-day series of events dubbed Hip Hop Week will coincide with Paint Louis, an annual gathering of hundreds of graffiti artists from around the world who will paint murals on the flood wall by South Wharf St. downtown.

“If I say Hip Hop Week, most people will think of it as: ‘Oh, it’s a music festival.’ And [they’re] not thinking of other elements of hip-hop — such as the fashion, such as the film, such as the culture of hip-hop,” said Dwight Carter, a local event promoter who is the festival’s creative director.

Looking Glass Playhouse in Lebanon, Illinois, is one recipient of a set of grants targeting arts organizations in rural areas. 8/16
Arts and Education Council

Nine arts groups in Missouri and Illinois will share $45,000 in grants announced Wednesday by Arts and Education Council, a nonprofit agency funded by private donations.

The money is split between two programs, each funded by Monsanto Fund. One offers general, organizational support to established arts organizations in rural areas; the other funds smaller groups planning new programs or events.

Daria Finley took her sudden onset of blindness as an opportunity to get into acting.  8/16/18
Jeremy D. Goodwin | St. Louis Public Radio

St. Louis native Daria Finley was focused on her career, working in the information technology department of the Department of Defense, when one day she woke up blind. She'd been diagnosed with glaucoma the year before, but her sudden onset of blindness was a shock for her and her doctors.

Finley used this life-changing experience as an opportunity to pursue things she had only daydreamed about doing before. They include modeling, acting in a short film and writing and performing a one-woman play about her experiences.

After-school meals will be available at six library branches, paired with activities like weekly chess instruction.  8/12
Kara Smith | St. Louis County Library

An after-school meal program in St. Louis county that feeds hungry children in public libraries is expanding.

St. Louis County Library and the nonprofit group Operation Food Search began the effort as a summer program in 2014. They expanded it in January 2018, serving 6,200 meals at three library branches between then and May.

Jacob Shacko, who performs as Lilschacko, performs an original song in the St. Louis Public Radio studios. 8/9/18
Jeremy D. Goodwin | St. Louis Public Radio

A teenager from Democratic Republic of the Congo  finds himself on the other side of the world, starting a new life in St. Louis. A young Bosnian woman whose family fled their country when she was little more than a toddler now finds herself looking for ways to connect to her past.

Their stories, while shaped by the particulars of war and of history, are like single voices in a larger chorus: refugees who re-settled in the United States and now use music as a way to understand the past and make their way forward.

Producers of "Forget Me Not" are hoping to inspire audience members to  connect with local health professionals and learn more about Alzheimer's. 8/1/18
African-Americans Against Alzheimer's

When actors in the play "Forget Me Not" take the stage tonight at the Grandel Theatre in St. Louis, they’ll have an important mission. They aim to raise awareness that African-Americans have a higher incidence of Alzheimer’s disease than whites, and to provide tips about how to recognize the symptoms of the brain disease.

Playwright Garrett Davis, who heads the North Carolina-based theater troupe Gdavis Productions, wrote the play — produced by African-Americans Against Alzheimer’s — as an educational aid. The group is part of the national advocacy organization Us Against Alzheimer’s.

Shayba Muhammad crafted a 12-week course to help artists and artisans start or grow a small business. 7/26/18
Jeremy D. Goodwin | St. Louis Public Radio

A few years ago Shayba Muhammad started making jewelry for herself, and was inspired to start a business, Mahnal, to sell her work.

Now she wants to help other artists and artisans who would like to do the same. The Makers Program, which she started with help from a $10,000 prize from Arts and Education Council, will offer guidance to help participants navigate the business end of their craft.

Students training with UMSL's jazz ensemble will get an enhanced travel budget, in addition to other improvements to the program. 7/24/18
University of Missouri St. Louis

Students at the University of Missouri-St. Louis will soon have access to a beefed-up jazz studies program due to a $1.3 million donation by the Steward Family Foundation.

Though the school currently has student ensembles and offers instrument instruction and related courses — including one on jazz improvisation — students will now be able to earn a degree in jazz studies from UMSL’s newly christened David and Thelma Steward Institute For Jazz Studies.

Kevin and Danielle McCoy, seen here with their daughter, Elle, posed an artistic response to their own experiences with colorism. 7/20/18
Jeremy D. Goodwin | St. Louis Public Radio

Married couple Danielle and Kevin McCoy are used to being treated differently based on the color of their skin — not only because they are each African-American, but because her skin tone is lighter than his.

“Dani being fairer-skinned, wavier-textured hair,” Kevin McCoy said, “and me darker, more coarse, as we say nappier hair — I was not the ‘safe’ black person.”

He said people they encounter, both “in the black community and outside of the black community,” appear comfortable with Danielle but view him as “aggresive.”

This led them to create the work in “Color-ism,” an exhibition that opens at the Gallery at the Kranzberg Arts Center on Friday and remains on view through Sept. 3. Put simply, colorism is the preference for lighter-colored skin, even within communities of color.

The lobby of the Stifel Theatre, shown in June 2011.
File photo | Provided | Tom Paule Photography

The Peabody Opera House has a new name.

For the next decade, the downtown St. Louis venue will be called Stifel Theatre.

Stifel Financial Corp. signed a 10-year agreement for naming rights at the 3,100-seat venue, which opened in 1934 as the Kiel Opera House.

Felicia Shaw, new executive director of St. Louis' Regional Arts Commission, said she had a sense that this community would now "be open to change" after the events of Ferguson.
Nancy Fowler | St. Louis Public Radio

The Regional Arts Commission will award $3.8 million in grants to 125 arts organizations in St. Louis, the organization announced Wednesday.

But a shift in the commission’s priorities means many established groups are now shut out. The commission, which receives a portion of the city’s occupancy tax on visitors to hotels and motels, will not fund 40 arts organizations that received RAC grants in 2017.

Tonina Saputo is a St. Louis-based vocalist, songwriter and bassist.
Tyler Small

Tonina Saputo speaks several languages — both musically and otherwise. She’s not very far past the beginning of her career, but the diversity of her musical interests can already be heard in projects ranging from alternative R&B to Latin jazz.

The St. Louis-based vocalist, songwriter and bassist, who performs under her first name, has a global vision. “I really want to bridge the gap between American music — I put that in air quotes, because what is American music? — and world music. And what is world music?” she said. 

The Muny box office sells tickets for its 100th season, which has drawn criticism for its production of "Jerome Robbins' Broadway." June 30, 2018
Brian Heffernan | St. Louis Public Radio

The boos launched by a group of protesters mid-show at the Muny two weeks ago are continuing to reverberate. Actors and directors of color in St. Louis say it’s time for theaters to stop casting white actors to portray people of color.

Among the things on Owen Ragland's calendar are a monthly residency at the Dark Room and a slot at this year's LouFest.  6/28/18
Carl Wickman

Owen Ragland is a musician on the move. In the last year, the 17-year-old pianist, producer and bandleader has played the LouFest in support of local artist Mvstermind, released a debut album plus follow-up EP and launched a monthly residency at the Dark Room

Some of the next items on his agenda include a performance with his quintet at this year’s LouFest and graduating from Webster Groves High School.

He spoke with Cut & Paste about his path to music, which he started at age 3 — and his efforts to fuse elements of jazz, hip-hop and electronic music into a style all his own.

Gallery-goers mill about near the piece "Blake the Great."  6/20/18
Brea McAnally

St. Louis-based artist Damon Davis works in many forms, from visual art to hip hop records. His profile has grown steadily in recent years. He's now showing a deeply conceptual, richly realized exhibition at the Luminary, on Cherokee Street, that he calls the culmination of his years of art-making collaborations.

The show, called "Darker Gods in the Garden of the Low-Hanging Heavens," is built around a series of myths and fables Davis wrote, featuring black deities.

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