"Pink Champagne," a song on Caitlin Rose's second album The Stand-In, presents Rose's voice in its sparest purity and veiled shrewdness. She sends her voice skyward, the notes as buoyant and light as the bubbles of the pink champagne she's singing about. Her high trills could, with only a slight shift in tone and attitude, become self-conscious with a Betty Boop coyness, as they do once or twice on The Stand-In. But most of the time, Rose keeps her music grounded in the details of yearning, heartache and a welcome sense of gratefulness and enthused energy.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
The third time might be the charm for some things, but the number three after a movie title is typically shorthand for a deal with the devil.
The studio thinks there's more money to be squeezed from a particular property, and voila: Spider-Man 3, Superman III, The Godfather — God help us — Part III. OK, The Godfather's a special case. Most other threes, though, are what happens when a too-thin plot meets a too-fat budget.
A garment factory that manufactures products for international clothing companies collapsed outside of Dhaka, Bangladesh, last month, killing more than 400 workers and injuring scores of others. It came on the heels of a fire at another factory in November 2012; that incident killed 112 workers.
Factories like these in Bangladesh pump out what author Elizabeth Cline calls "fast fashion," or clothes made on the cheap by big chains such as H&M, Zara, Esprit, Lee, Wrangler, Nike, J.C. Penney and Wal-Mart.