Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Rodney Ascher, director of the experimental documentary Room 237, leads an exploration of differing interpretations of Stanley Kubrick's classic horror film The Shining.
Awhile back, I went to the Los Angeles County Museum of Art to see its show on filmmaker Stanley Kubrick. It was jammed with visitors poring over his letters, eyeing the dresses worn by the spooky twins in The Shining, and posing for photos in front of the sexy-futuristic decor of the Korova Milk Bar from A Clockwork Orange.
Frank Langella, who earned an Oscar nomination for his portrayal of Richard Nixon in Frost/Nixon, stars in the film Robot & Frank, about an aging ex-burglar. He says he was drawn to the unsentimental role.
Credit Samuel Goldwyn Films and Stage 6 Films
In Robot & Frank, a robot cares for an aging ex-burglar who has dementia. Frank Langella, who plays the burglar, says his character "becomes fond of the robot only because it is a tool for his wicked, wicked ways."
This interview was originally broadcast on Aug. 16, 2012.
Frank Langella's career has not been an upward trajectory of success — and he likes it that way. He's had memorable roles on stage and screen, and times when he couldn't find work, or even an agent.
Now 75, Langella tells Fresh Air's Dave Davies, he's never been hungrier to act.
Emmylou Harris' first solo album, "Pieces of the Sky," was released in 1975 after the death of her singing partner, Gram Parsons. The opening track on the album is a song called "Bluebird Wine," by a then-unknown songwriter named Rodney Crowell. She recorded two more of his songs on her next album, got him to join her band in the mid-'70s and now, after an almost 40-year friendship, the two musicians have recorded an album together called Old Yellow Moon. The two talk with Terry Gross about their long, enduring careers, their friendship, their influences and singing harmony.
Jonathan Dee likes to write about rich, good-looking people falling apart — and who among the 99 percent of us can't enjoy that plot? In The Privileges, the dad of the family was a Wall Street trader, tempted by existential boredom into larceny; in A Thousand Pardons, the dad of the family is a partner in a New York law firm, tempted by existential boredom into a disastrous workplace affair.